![]() There is also a ravishing sexual scene in which J.R. and his do-nothing friends are of a raw mess and he almost stereotypes Italians. In the very first scene, we see Scorsese's late mother making food and serving it to a couple of children. ![]() While there is a lack of polish, there is also this purity and brutal expression that he does. And he talks about these again and again, making me feel like he really loves them and not just fighting against the awkward silence. He mentions Western Classics, mostly surrounding John Wayne, films like "The Searchers" and "The Man Who Shot Liberty Vallance". could have talked about literature, music, but no. This is Scorsese showing his respect for the art in a way that, really, no director does. When he first talks to the unnamed girl (Zina Bethune), we can relate to him. (Harvey Keitel) might be an overall representation of Scorsese himself. With its jagged look, this film also offers unfiltered, frank situations, and I feel like its lead character, J.R. The thing is, though, the man was never one to bother with smoke and mirrors, but always create an intimate connection between his characters, which were always his focus. It can be a noisy mess at times, and its awkward editing offers a limp pace and can create confusion. The thing is, though, the man was never one to Scorsese's debut film is one which lacks polish in pretty much any presentation category, but most obviously in editing and sound mixing. Scorsese's debut film is one which lacks polish in pretty much any presentation category, but most obviously in editing and sound mixing.
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